Post by account_disabled on Dec 11, 2023 3:48:15 GMT -2
What does a story represent? Is it fiction? Fiction, therefore, texts to be told, fictional stories, to differentiate them from non-fiction, teaching and documentation texts. A novel, therefore, takes on an aura of falsity, understood in a non-negative sense. A mask that creates a sort of barrier between the reader - who lives in reality - and the story - which lies beyond. Reader and story, with this interpretation of narrative, are divided. There is no emotional continuity. Fiction and escape If reading is escapism, perhaps the fault lies with the reader - and the writer first! – means history: a fictitious world, a universe found elsewhere, the elsewhere of fantasy. We read to seek a refuge that keeps us away from everyday reality.
We are therefore the first - we readers and we writers - to redefine literature: remodeled and reshaped according to pre-imposed geometries. We are the first to create that detachment between reader and story. A book opens as a window would open towards another world, while remaining in reality. We can't get through that window. It is only possible for us to observe. The Phone Number Data reader is a spectator. He is far away. Literary reality I prefer to talk about literary reality and not fiction when I write. I prefer to write about other realities, it doesn't matter if they don't exist, it just matters that they aren't fictitious. The writer must begin to reconsider the canons of judgment towards narrative, to change his approach towards reading and writing. The writer first must restore narrative to its rightful value: that of mere literary reality. A reality created by his pen, by his mind, by his imagination, but still a reality.
Writing a story that doesn't have the flavor of fiction: this must be the writer's mission. In front of a film, if the actors are good, we have the impression of watching reality. We don't realize that it's all a montage, a study of poses, of expressions, we don't notice the presence of a set, but of an environment, a reality in which other people live. We must allow the reader to experience our reality: the reader must not escape from his and take refuge in ours. The reader must live in the reality we have created. We must break down the barrier that has been erected until now. When he closes the book, the reader must feel nostalgia: in the same way he feels that feeling when he returns from a holiday. When he opens the book, the reader must already feel a strong attraction with the story: he must know that he is not reading a novel, but is about to live it.
We are therefore the first - we readers and we writers - to redefine literature: remodeled and reshaped according to pre-imposed geometries. We are the first to create that detachment between reader and story. A book opens as a window would open towards another world, while remaining in reality. We can't get through that window. It is only possible for us to observe. The Phone Number Data reader is a spectator. He is far away. Literary reality I prefer to talk about literary reality and not fiction when I write. I prefer to write about other realities, it doesn't matter if they don't exist, it just matters that they aren't fictitious. The writer must begin to reconsider the canons of judgment towards narrative, to change his approach towards reading and writing. The writer first must restore narrative to its rightful value: that of mere literary reality. A reality created by his pen, by his mind, by his imagination, but still a reality.
Writing a story that doesn't have the flavor of fiction: this must be the writer's mission. In front of a film, if the actors are good, we have the impression of watching reality. We don't realize that it's all a montage, a study of poses, of expressions, we don't notice the presence of a set, but of an environment, a reality in which other people live. We must allow the reader to experience our reality: the reader must not escape from his and take refuge in ours. The reader must live in the reality we have created. We must break down the barrier that has been erected until now. When he closes the book, the reader must feel nostalgia: in the same way he feels that feeling when he returns from a holiday. When he opens the book, the reader must already feel a strong attraction with the story: he must know that he is not reading a novel, but is about to live it.